j. mayer h. architects | the schaustelle.
CAMERA OBSCURA BY ABELARDO MORELL
Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]
Beyoncé & André 3000 - Back to Black
100% obsessed with this song right now
From Mumbai Crossing
Cang Xin - Great Wall, Communication Series no. 4, 2000.
Cang Xin is a bona fide shaman; he holds the profound belief that all things have spirit – both animate and inanimate objects – and is a member of an order of enlightened holy men who have the ability to enter various forms at will. As one of China’s most celebrated performance artists, Cang approaches his work as a means to promote harmonious communication with nature. His works have included bathing with lizards, adorning the clothing of strangers, and prostrating himself on icy glaciers: each act representing a ritual of becoming the other.
Cang’s Communication is an ongoing piece, begun in 1996. Engaging with the world at large with his tongue – one of the most intimate and sensitive parts of the body – Cang’s performance represents an internalising of knowledge and a religious communion with place/person/thing. Sites for this performance have included the Great Wall of China, Tiananmen Square, and The Coliseum.
… photo via Wird - photo
The best 6 seconds of my life.
Where to by Angex Lin
Amy Stein - Domesticated (2008)
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”